Work in Progress: “A Blue Day in May” Studio Watercolour Sketch

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Out at the lighthouse on Saturday afternoon everything was blue except for the clouds: blue sky, blue sea and blue islands. The view from this most westerly point on the British mainland is expansive; the weather was fine but rather hazy, and at times white or even grey clouds blocked the sun, but the scene remained strikingly blue though the hues shifted as the clouds passed by. As the wind was too cold to remain on the rocks long enough to make a proper sketch, I took a set of photos to work from and started that evening on a studio sketch, while the scene was fresh in my memory. Stage 2 of the work is above, stage 1 (still wet and so slightly buckled) is below. This painting needs to remain light and airy, so another couple of short sessions should be all that’s needed to finish the sea and add the islands on the horizon. (The top and right-hand borders are handy for testing but will be cropped from the final painting.) Although this paper has its merits, the grain does not run in an appropriate way for the artist to be able to exploit the texture for the sea in the way I would like. Possibly I should have turned the block through 90 degrees before I started, but it’s too late to think of that now 😀

Winsor and Newton Professional Watercolours on Arches Aquarelle cold pressed 140lb (300gsm) paper, in a very limited colour palette using Cobalt Blue, Cobalt Blue Dark and French Ultramarine, with a little Paynes Grey and a touch of Scarlet Lake for mixing shades of blue and greys. These are mainly non-staining and more or less granulating colours, and although these “traditional” blues can’t really be beaten for purity and quality of colour, they are a wee bit tricky to handle. Winsor and Newton seem to be putting too much gum arabic in their cobalt blues, at least in the tubes, which makes them even harder to control; it may be time to try a different brand with a slightly different formula…

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Clouds Descend on Ben Hiant at Sundown: Watercolour Studio Sketch

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A “studio sketch” from my own photographs and memory of the scene, primarily for reproduction on greetings cards and postcards.

As the sun sank down behind Ben Hiant on a cool summer evening and the shadows deepened, the cloud descended, spreading white mists which seeped along the ridges, illuminated by the sun behind. The Isle of Coll lies low under cloud on the horizon, with the northern tip of the Isle of Mull just visible on the left.

Winsor and Newton Artists’ Watercolour paints on Fabriano Artistico NOT paper.

This painting  © 2018 Jenny Chapman, MacAvon Media

Work in Progress: Clouds descend on Ben Hiant at sundown (watercolour sketch)

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Work in progress: Clouds descend on Ben Hiant at sundown
Watercolour sketch, stage 1

9th May 2018

(Scottish Highlands artist’s studio series, no.3)

Stage 1 of a quick, wet-in-wet landscape sketch to loosen up a wee bit after the fiddly and protratcted work on the orca painting. Something like this only takes a couple of sessions to complete, at most, whereas a detailed wildlife image can take a couple of weeks… Of course it doesn’t always come out well enough to use – that’s the downside…

This one needs a fair bit of correcting yet, as well as the final details on the land masses.

Using NOT paper this time (Fabriano Artistico) for the slight grain and it’s amazing tolerance of continual lifting colour back off the paper… Very different from the hot pressed paper (also Fabriano Artistico) I normally use for wildlife drawings. However, it’s not so tolerant of unintentional finger nail scratches, I discovered to my regret 😞