Watercolour Painting: A Blue Day in May

Blue-Day-in-May-final

I’m afraid it has been a wee while since I posted anything on this blog – I’ve been so busy making new work and attending markets etc. during the busy summer tourist season.

But here at last is the completed watercolour studio sketch “A Blue Day in May” showing a view of the Small Isles (Muck in the centre, Eigg on the right, and Rum on the left) as seen from the rocks at Ardnamurchan lighthouse on a very blue day this May. In the far distance, just right of centre, you can see a misty outline of the peaks of the Cuillin on the Isle of Skye. My last blog post showed this work in progress

This is a modestly sized studio sketch made using my own reference photos and memory, painted in Winsor and Newton Professional Watercolours on grainy Arches Aquarelle cold pressed 140lb (300gsm) paper. It has a very restricted colour palette limited mainly to blues, to reflect the nature of the day and the experience I remember: Cobalt Blue, Cobalt Blue Dark, French Ultramarine, the tiniest touch of Cerulean Blue, and a small amount of Indanthrene Blue in the sea, with a little Paynes Grey and a touch of Scarlet Lake for mixing shades and greys, plus a wee bit of Neutral Tint in the islands. I don’t much like using the strong, synthetic Indanthrene Blue, but the more natural blues did not quite have the strength or tint required for some of the darks.

We only see a few days like this each year on the west coast of Scotland, but it is one of the many different moods which characterize this remarkable area of sea and sky and rugged landscapes.

This image has already proved popular in reproduction, and is now available on landscape format greetings cards and in a range of sizes of giclée prints which I make myself (framed and unframed) in my Folksy shop.

 

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